Des Script (2014)

Media: Ink on archival paper, computer, Ipad, Speakers, Magnets

Software: Max/Msp

Place: Cité internationale des Arts, Atelier 5621, June 17,18 2014

以往在創作過程中，我會將曲子的結構、音高、力度、音域的安排事先畫下藍圖，樂曲段落的情緒變化安排也會用文字或圖像記錄下來；確定藍圖之後才開始寫譜，在手稿樂譜中也會加註許多的文字。然而作品最後的呈現，通常是用電腦軟體打譜完成後交給演奏者，而演奏者再將整個樂曲呈現給觀眾。作為音樂會的觀眾而言，聽到的是作品的成果，而且是在有限的時間內；而創作的過程中留下的這些手稿，以展覽的方式呈現，就可以將整個創作過程在一個空間中呈現給觀眾，感受過程與結果的差異。

空間中佈滿了放大的手稿貼於周圍，中間的平台上放置一台I Pad，畫面為對應手稿的空間圖，讓參觀者可點選聆聽對應的手稿之成品。

During the process of composition, I used to make blueprints of the design of structures, pitches, articulation, and register prior to making an actual composition. The blueprints also include texts and images of the sections’ emotion evolvements. There are also considerable amounts of text accompanying the manuscripts. However, the final editions of the scores are usually typed digitally before handed out to the musicians. The musicians then perform the music for the audiences. For the audiences in the concerts, they experienced the rendition of the works in a limited amount of time. I exhibit the manuscripts, and rises the possibility of showing the audiences the entire processes in a completely different space.

There are music manuscripts with sound Interactive devices, plans and photos. Visitor can listen to the finished music corresponding to the manuscripts in which you are interested on the wall by touching the button on the Ipad.