回聲 I: 沙粒 (2015)
聲音裝置與鋼琴及時電聲
ECHO-Sand (2015)
Sound Installation work with Piano and Live electronics
過往有許多音像互動的作品以數位呈現為主，但我也很好奇實物與聲音的互動的狀態。因此，我發想製作一系列由即時收入的樂器聲，來驅動實物震動的作品。最終的目標在體現音樂特質於實物的行為。
作品主要以喇叭的物理震動，來驅動實物震動的方式。第一個作品，是將小型保利龍珠置於一個與震動喇叭連結的鐵盤上，在上方架設網路攝影機與燈光，捕捉實物震動的狀態，並於現場投影。全部物件放置於一個木盒內，並加上蓋子。
Media: transducer, wooden box, metal plate, styrofoam
I have seen a lot of visual works that are made in purely digital form, such as videos and installations. However, there are maybe some interesting aspects about using actual objects when we are doing sound and visual performance. Therefore, it's exciting to create a real-time interactive installation that focuses on the physical actual objects on the stage. I try making a series of installations to bridge the power of actual objects with music. The final goal is to combine the variable musicality and this installation.
The whole project basically works with the vibration of speakers, but I apply this to different settings. Regarding the combination of music and visual effects, I make this idea into three installations.
The installation aims at the material’s movement by triggering with sound on a speaker, it shows the interaction between sound and actual objects. The appearance of the installation is a closed wooden box, there is one transducer, one metal plate with objects on it, and a webcam with a magnifier in front of its lens inside this box. The reaction and vibration of the objects on the plate are projected on the screen through the webcam. This installation focuses on picking up the different reactions of dynamics and timbre.
Media: transducer, wooden box, metal plate, styrofoam
