流 (2025) 6’

給小提琴、大提琴與鋼琴

首演：Longleash三重奏，2025年11月7日，Grant Recital Hall 布朗大學

Flow (2025) 6'

for violin, cello, and piano

Premiere: Longleash Trio, violin/Pala Garcia, cello/John Popham, piano/Mika Sasaki

@ Grant Recital Hall, Brown University 11/07/2025

此作品是一項試圖將自然現象與聲響運動相連結的研究——探索聲音如何體現水的流動與轉化。旅程透過一系列狀態展開：漂浮、延伸、浸潤、滲透、滴落、漫溢、奔流。

起始時，水流輕柔漂過狹窄溪澗，其動勢柔和而
未可知。弦樂高亢而脆弱的泛音勾勒其漂浮軌跡—— 如閃爍的微光，無重且瞬息萬變。音調漸次下沉，彷彿順著隱秘斜坡流向遠方谷地。

鋼琴聲如水流迴響—— 靜謐漣漪浮現又消散，波動表面的倒影轉瞬即逝。當水流積聚動能，波動愈發深邃；曾漂浮的律動如瀑布傾瀉而下，在湍流中消融，終將再度歸入浩瀚的水循環系統—— 這輪迴永無始點亦無終點。

This piece is a study that seeks to connect natural phenomena with sonic

movement — an exploration of how sound can embody the flow and

transformation of water. The journey unfolds through a sequence of states:

float, extend, soak, permeate, drop, flood, and flush.

At the beginning, water drifts gently through narrow streams, its motion soft

and uncertain. The high, fragile harmonics of the strings trace its floating path

— shimmering, weightless, and ever-shifting. Gradually, the tones descend, as

if following a hidden slope toward a distant valley.

The piano responds like the echo of a current — quiet ripples appearing

and dissolving, reflections caught on the surface of movement. As the flow

gathers momentum, fluctuations deepen; the once-floating motion cascades

downward, dissolving into turbulence before returning, once again, to the vast

circulatory system of water — a cycle without beginning or end.