浪 (2016) 6’
給四個開放樂器與電聲
首演：薩克斯風/Nanna Ikonen，木笛/洪葳，電貝斯/Laura Nygren，鋼琴/鄭伊里，2016年5月27日，阿姆斯特丹音樂院
Waves (2016) 6’
for four open instrument tape and live electronics
Premiere: saxophone/Nanna Ikonen, recorder/Wei Hung, bass/Laura Nygren, piano/I-lly Cehng, 27 May 2016, Amsterdam Conservatorium
以Karnatic節奏技巧為核心，運用了即時和預錄電聲。強烈的節奏感讓人聽了或許想跟著舞動；然而，這詭譎的節奏讓人難以捉摸，似乎需處於喝醉狀態才能理解這種特殊的搖擺感。既使四個樂器演奏相同的拍號，然而每位演奏者演奏著不同的連音節奏，需要極大的專注力在自己的韻律中而不被他人影響。
整首樂曲的素材貌似不斷循環，然而也不斷漸變。
A wavy-karnatic piece, using live electronics and pre-recorded tape, will make you feel like dancing. However, you will find it is tricky or hard to dance it, unless you are drunk. In this piece, each player keeps different tuplet/ gati rhythm and has to focus on the own pulse, even though they share the same time signature.
The whole piece seems to be using looping material, but it keeps changing in a gradual manner.