2022

  • Warer Memory (2022)15’, for water installation solo

  • Qualia (2022)60’, for two performers, music theatre

  • Yours Mine (2016-2022) 10’-20’, for open solo instrument/ performer, voice, and flexible tape, to present different performers’ playing in a website form.

2021

2020

  • Life is Floating Endlessly (2020)15', for organ, sheng ensemble, and percussionists, conducted by Chien Wen-Pin, performed by KCO, in National Kaohsiung Center for the Arts-Weiwuying

  • Yong (2020)15', for sheng, synthesizer, and eight channels live electronics, performed by Li-Chin Li and Hai-Ting Liao

  • Mikrokosmos No.1 (2020)5', for VR and Ambisonic system, present in Taiwan Sound Lab

2019

  • Trace (2019) , for flute, piano, violin, viola, cello, amplified watercolor paper, in Collegium Hungaricum Berlin, by UMZE Ensemble

  • Misreading (2019) 12’, for 40 installed transducers under concert hall chairs and projection mapping on the ceiling, will premiere in National Concert Hall of Taiwan, Innovation Series

  • Dew (2019) 8’, for dizi and live electronics, will premiere in National Concert Hall of Taiwan, Innovation Series, premiered by Ryan Zen

2018 

  • Touch (2018) 6’, two water installations, presented in ICMC 2018, in Daegu Arts Factory./ WOCMAT 2018, in Daegu Arts Factory. /WOCMAT 2018, in National Chiao Tung University

  • Touch - One (2018) 5’, for one water installation and a performer, performed by Yung-Tuan Ku, in Darmstadt 2018.

  • Touch - Three (2018) 10’, for three sound/ video installations and three performers, performed by Theresa Lei, Ro-Mei Yu, Wan-Chen Hsieh.

  • Yours Mine (2016- ) 15', for open solo instrument/ performer, voice, and flexible tape, to present different performers’ playing in a website form.

2017

  • Mourning for Fukushima (2017) 15', three consecutive short piano pieces with transducer-installed piano, performed in Huis de Pinto in Amsterdam

  • Touche Nature (2017) 10', for four percussionists with four loudspeakers and water bowls, premiered in Lausanne in Le Bourg by We Spoke Percussion Group

  • Subtlety (2017) 10', for prepared Zheng, live electronics and light, premiere in Ya Song Concert Hall in Taipei by Ming-Chin Kuo

2016

  • Kodama (2016) 9', for shakuhachi and live electronics, premiered in Muziekgebouw aan 't IJ by Harrie Starreveld

  • Within a Tranquil Space (2016) 7’, for shakuhachi, duduk, sho, sheng, guzheng, and guqin, premiered in Conservatorium van Amsterdam by Atlas ensemble

  • Yours Mine (2016) 10’, for open solo instrument, voice, and flexible tape, premiered in Gaudeamus Academy, Muziekhuis Utrecht, by Wiek Hijmans

  • Touch (2016) 10’, for four water installations/percussionists, try out in Darmstadt, Lichentberg Schule, by We Spoke percussion group

  • Ceasing Time (2016) 10’, for cello and live electronics, premiered in Splendor Amsterdam

  • The Sensation of Reality (2016) 20’, a double concerto for sho, recorder, and live electronics, premiered in Conservatorium van Amsterdam

  • Waves (2016) 6’, for four open instruments, premiered in Conservatorium van Amsterdam

  • Piano Etude I - V (2015- 2016), for piano solo and live electronics

2015

  • UNTITLED (2015)  9', for soprano saxophone, live electronics, and tape, premiered in Conservatorium van Amsterdam and Het Bethaniënklooster.

  •  ._. (2015) 9', for Harpsichord and Live electronics, for Machiko Suto.

  • UNI- (2015)  15', for Sho, Recorder, Live electronics and Image, performed at Conservatorium van Amsterdam.

  • ECHO-Sand (2015) Sound Installation work with Piano and Live electronics, performed at Conservatorium van Amsterdam.

  • ECHO-Light (2015) Sound Installation work with Objects, Violin, Soprano, and Live electronics, performed at Conservatorium van Amsterdam, Studio MAPA Nederland.

2014

  • Personal piano recital at Cité internationale des Arts. http://citedesarts.pagesperso-orange.fr/Concerts/002014/21-07-14-concert-kocamangil-cheng.htm

  • Nix (2013) 5', for piano, live electronics, performed in Blue Note at the Conservatorium van Amsterdam

2013

  • Submerged in Silence (2013) 9', for piano, electronics, and image, performed in National Concert Hall of Taiwan.

2012

  • Shan (2012) 7'30, for four traditional Chinese instruments, performed in National Concert Hall of Taiwan. Third prize winner of the Composition Competition of Chai Found Traditional Music Workshop.

  • Melt (2012) 10', for Guzheng and Electronics, performed in the concert hall of National Taiwan University of Art

2011

  • Heterochromatic Dream (2011) 5', for soprano, piano, and electronics, selected as the vocal piece in 2010-2011, sponsored by National Theater/ Concert Hall of Taiwan.

  •  Into Strings (2009) 5', electronics, The Concert of the Sound Exchange, in University of Illinois at Urbana-Champaign, U.S.A.

  • SDINGUHOTS (2011), video, in collaboration with Lo Sheng-Wen and Chen Wei-An, in Treasure Hill International Artist Village.

  • Dark, Light (2010)10', for string quartet, in National Theater Concert Hall of Taiwan.

  • Kaleidoscope Project(1) (2011), interactive sound/optics installation, at National Taiwan University.

2010

  • Dark, Light (2010)10', for string quartet, won first prize at the Fine Arts Creation Award held by the Taiwan Ministry of Education.

  • Into Strings (2009) 5', electronics, has received high recognition at the International Rostrum of Composer 2010.

2009

  • Superimpose (2009)7', for soprano, percussion, and electronics, received honorable mention at the Fine Arts Creation Award held by the Taiwan Ministry of Education.

  • Interpenetration (2009) 10', for solo piano, performed in the concert hall of National Taiwan University of Art

 


 

 

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