2022
Warer Memory (2022)15’, for water installation solo
Qualia (2022)60’, for two performers, music theatre
Yours Mine (I-Lly’s Version)
2021
The Magical Tree with Compound Leaves (2021-22), Moringa Oleifera, timelapse camera, and growing diary
The Memory of the Land (2021), Site-specific performance, for two performers and cotton papers
2020
Life is floating endlessly (2020)15', for organ, sheng ensemble, and percussionists
Yours Mine (Céline’s Version)
Yours Mine (Irene’s Version)
Yours Mine (Sarah’s Version)
Mikrokosmos No.1 (2020) 5', for VR and Ambisonic system
Yong (2020)15', for sheng, synthesizer, and 8 channels live electronics
2019
Trace (2019) 10’, for flute, piano, violin, viola, cello, amplified watercolor paper
Misreading (2019) 12’, for 40 installed transducers under concert hall chairs and projection mapping on the ceiling
Dew (2019) 8’, for dizi and live electronics
2018
Touch - Trio (2018) 10’, for three sound/ video installations and three performers
Touch - Solo (2018) 5’, for one water installation and a performer
Touch-Duo (2018) 6’, two water installations
2017
Touche Nature (2017) 10’, for four water installations/ percussionists
Subtlety (2017) 11’, for prepared Zheng, live electronics and video/ light
Mourning for Fukushima (2017) 15', three consecutive short piano pieces with transducer-installed piano
2016
The Sensation of Reality (2016) 20’, double concerto for sho and recorder with live electronics
Within a Tranquil Space (2016) 7’, for shakuhachi, duduk, sho, sheng, guzheng and guqin
Waves (2016) 6’, for four open instruments, tapes, and live electronics
Touch (2016) 10’, for four water installations/ percussionist
Yours Mine (2016-now) 15', for open solo instrument/ performer
Kodama (2016) 9', for shakuhachi and live electronics
Ceasing Time (2016) 10’, for cello and live electronics
2015
UNI- (2015) 15', for Sho, Recorder, Live electronics, and Image
ECHO-Sand (2015) Sound Installation work with Piano and Live electronics
ECHO-Light (2015) Sound Installation work with Objects, Violin, Soprano, and Live electronics
Piano Etude I - V (2015- 2016), for piano solo and live electronics
UNTITLED (2015) 9', for soprano saxophone, live electronics, and tape
.. .. (2015) 9', for Harpsichord and Live electronics
2014
Des Script (2014), immersive music score installation
Nix (2014) 5', for piano and live electronics
2013
Submerged in Silence (2013) 9’, for piano, live electronics, and video
2012
Shan (2012) 7'30, for four Chinese Instrument- erhu, pipa, shen, zheng
Melt (2012) 10', for Guzheng and Electronics
2011
Heterochromatic Dream (2011) 5', for soprano, piano, and electronics
Kaleidoscope (2011), interactive sound/optics installation
SDINGUHOTS (2011) 10', video
2010
Dark, Light (2010) 10', for string quartet
2009
Into Strings (2009) 5', electronics
Superimpose (2009) 7', for soprano, percussion, and electronics
Interpenetration (2009) 10', for solo piano
2020
Life is floating endlessly (2020)15', for organ, sheng ensemble and percussionists, conduct by Chien Wen-Pin, perform by KCO, in National Kaohsiung Center for the Arts-Weiwuying
Yong (2020)15', for sheng, synthesizer and eight channels live electronics, performed by Li-Chin Li and Hai-Ting Liao
Mikrokosmos No.1 (2020)5', for VR and Ambisonic system, present in Taiwan Sound Lab
2019
Trace (2019) , for flute, piano, violin, viola, cello, amplified watercolor paper, in Collegium Hungaricum Berlin, by UMZE Ensemble
Misreading- (2019) 12’, for 40 installed transducers under concert hall chairs and projection mapping on the ceiling, will premiere in National Concert Hall of Taiwan, Innovation Series
Dew- (2019) 8’, for dizi and live electronics, will premiere in National Concert Hall of Taiwan, Innovation Series, premiered by Ryan Zen
2018
Touch - (2018) 6’, two water installations, presented in ICMC 2018, in Daegu Arts Factory./ WOCMAT 2018, in Daegu Arts Factory. /WOCMAT 2018, in National Chiao Tung University
Touch - One (2018) 5’, for one water installation and a performer, performed by Yung-Tuan Ku, in Darmstadt 2018.
Touch - Three (2018) 10’, for three sound/ video installations and three performers, performed by Theresa Lei, Ro-Mei Yu, Wan-Chen Hsieh.
Yours Mine (2016- ) 15', for open solo instrument/ performer, voice and flexible tape, to present different performers’ playing in a website form.
2017
Mourning for Fukushima (2017) 15', three consecutive short piano pieces with transducer- installed piano, performed in Huis de Pinto in Amsterdam
Touche Nature (2017) 10', for four percussionists with four loudspeakers and water bowls, premiered in Lausanne in Le Bourg by We Spoke Percussion Group
Subtlety (2017) 10', for prepared Zheng, live electronics and light, premiere in Ya Song Concert Hall in Taipei by Ming-Chin Kuo
2016
Kodama (2016) 9', for shakuhachi and live electronics, premiered in Muziekgebouw aan 't IJ by Harrie Starreveld
Within a Tranquil Space (2016) 7’, for shakuhachi, duduk, sho, sheng, guzheng and guqin, premiered in Conservatorium van Amsterdam by Atlas ensemble
Yours Mine (2016) 10’, for open solo instrument, voice and flexible tape, premiered in Gaudeamus Academy, Muziekhuis Utrecht, by Wiek Hijmans
Touch (2016) 10’, for four water installations/ percussionist, try out in Darmstadt, Lichentberg Schule, by We Spoke percussion group
Ceasing Time (2016) 10’, for cello and live electronics, premiered in Splendor Amsterdam
The Sensation of Reality (2016) 20’, double concerto for sho, recorder and live electronics, premiered in Conservatorium van Amsterdam
Waves (2016) 6’, for four open instrument, premiered in Conservatorium van Amsterdam
Piano Etude I - V (2015- 2016), for piano solo and live electronics
2015
UNTITLED (2015) 9', for soprano saxophone, live electronics and tape, premiered in Conservatorium van Amsterdam and Het Bethaniënklooster.
._. (2015) 9', for Harpsichord and Live electronics, for Machiko Suto.
UNI- (2015) 15', for Sho, Recorder, Live electronics and Image, performed in Conservatorium van Amsterdam.
ECHO-Sand (2015) Sound Installation work with Piano and Live electronics, performed in Conservatorium van Amsterdam.
ECHO-Light (2015) Sound Installation work with Objects, Violin, Soprano and Live electronics, performed in Conservatorium van Amsterdam, Studio MAPA Nederland.
2014
Personal piano recital at Cité internationale des Arts. http://citedesarts.pagesperso-orange.fr/Concerts/002014/21-07-14-concert-kocamangil-cheng.htm
Nix (2013) 5', for piano, live electronics, performed in Blue Note at the Conservatorium van Amsterdam
2013
Submerged in silence (2013) 9', for piano, electronics and image, performed in National Concert Hall of Taiwan.
2012
Shan (2012) 7'30, for four traditional Chinese instruments, performed in National Concert Hall of Taiwan. Third prize winner of the Composition Competition of Chai Found Traditional Music Workshop.
Melt (2012) 10', for Guzheng and Electronics, performed in the concert hall of National Taiwan University of Art
2011
Heterochromatic Dream (2011) 5', for soprano, piano and electronics, selected as vocal piece in 2010-2011, sponsored by National Theater/ Concert Hall of Taiwan.
Into Strings (2009) 5', electronics, The Concert of the Sound Exchange, in University of Illinois at Urbana-Champaign, U.S.A.
SDINGUHOTS (2011), video, in collaboration with Lo Sheng-Wen and Chen Wei-An, in Treasure Hill International Artist Village.
Dark, Light (2010)10', for string quartet, in National Theater Concert Hall of Taiwan.
Kaleidoscope Project(1) (2011), interactive sound/optics installation, in National Taiwan University.
2010
Dark, Light (2010)10', for string quartet, won first prize at the Fine Arts Creation Award held by the Taiwan Ministry of Education.
Into Strings (2009) 5', electronics, has received high recognition at the International Rostrum of Composer 2010.
2009
Superimpose (2009)7', for soprano, percussion and electronics, received honorable mention at the Fine Arts Creation Award held by the Taiwan Ministry of Education.
Interpenetration (2009) 10', for solo piano, performed in the concert hall of National Taiwan University of Art