Chamber

  • Life is Floating Endlessly (2020)15', for organ, sheng ensemble, and percussionists, conducted by Chien Wen-Pin, performed by KCO, at National Kaohsiung Center for the Arts-Weiwuying

  • The Sensation of Reality (2016) 20’, a double concerto for sho, recorder, and live electronics, premiered by Yi-Chang Liang and Naomi Sato, at Conservatorium van Amsterdam

Ensemble

  • Trace (2019) 10’, for flute, piano, violin, viola, cello, amplified watercolor paper, UMZE Ensemble, at Budapest Music Center, Hungary.

  • Touch - Trio (2018) 10’, for three sound/ video installations and three performers

  • Touche Nature (2017) 10’, for four water installations/ percussionists, premiere by We Spoke, Le Bourg, Lausanne, Switzerland

  • Within a Tranquil Space (2016) 7’, for shakuhachi, duduk, sho, sheng, guzheng, and guqin, premiere by Atlas ensemble, at Amsterdam Conservatorium Haitinkzaal

  • Waves (2016) 6’, for four open instruments, tape, and live electronics, premiered by Nanna Ikonen, Wei Hung, Laura Nygren, I-lly Cheng, at Amsterdam Conservatorium

  • Touch (2016) 10’, for four water installations/percussionists, premiered by We Spoke percussion group, Darmstadt, Lichentberg Schule

  • Shan (2012) 7'30, for four traditional Chinese instruments, performed in National Concert Hall of Taiwan. Third prize winner of the Composition Competition of Chai Found Traditional Music Workshop.

  • Dark, Light (2010) 10', for string quartet, premiered by I-Pei Lin, Han-Yun Chang, Ping-Chang Tsai, and Li-Ling Tin, at National Taiwan Recital Hall

Interdisciplinary Work

  • Earth's Instruments (2024), Site-specific performance, with a space installation, Matsu, Xiju island

  • Qualia (2022)60’, for two performers, music theatre, performed by Theresa Lei, Fei-Tsui Luo, National Taichung Theater Playhouse

  • The Magical Tree with Compound Leaves (2021-22), Moringa Oleifera, timelapse camera, and growing diary

  • The Memory of the Land (2021) 18’ , Site-specific performance, for two performers and cotton papers, performed by Theresa Lei, Fei-Tsui Luo, Treasure Hill Artists Village

  • Mikrokosmos No.1 (2020) 5', for VR and Ambisonic system, premiered at Taiwan Sound Lab

  • Misreading (2019) 12’, for 40 installed transducers under concert hall chairs and projection mapping on the ceiling, at National Taiwan Recital Hall

  • Yours Mine (2016-2022) 10’-20’, for open solo instrument/performer, voice, and flexible tape, to present different performers’ playing in a website form

Duo

  • Yong (2020)15', for sheng, synthesizer, and 8 channels live electronics, premiered by Li-Chin Li, Hai-Ting Liao, live streaming

  • UNI- (2015) 15', for Sho, Recorder, Live electronics and Image, premiere by Yi-Chang Liang and Naomi Sato, at Conservatorium van Amsterdam.

  • Heterochromatic Dream (2011) 5', for soprano, piano, and electronics, premiered by Hsiao-Pei Wu, Su-Yu Chang, National Taiwan Recital Hall

  • Superimpose (2009) 7', for soprano, percussion and electronics

Solo

  • Water Memory (2022) 15’, water installation solo, premiere by Céline Papion, at Hospitalkirche Stuttgart

  • Dew (2019) 8’, for dizi and live electronics, premiered by Ryan Zen, at National Concert Hall of Taiwan, Innovation Series

  • Touch - Solo (2018) 5’, for one water installation and a performer

  • Subtlety (2017) 11’, for prepared Zheng, live electronics and light, premiere by Ming-Chin Kuo, at Ya Song Concert Hall in Taipei

  • Mourning for Fukushima (2017) 15', three consecutive short piano pieces with transducer-installed piano

  • Kodama (2016) 9', for shakuhachi and live electronics, premiered by Harrie Starreveld, at Muziekgebouw aan 't IJ

  • Ceasing Time (2016/2022) 10’, for cello and live electronics

  • Piano Etude I - V (2015- 2016), for piano solo and live electronics

  • UNTITLED (2015) 9', for soprano saxophone, live electronics, and tape, premiered in Conservatorium van Amsterdam and Het Bethaniënklooster.

  • .. .. (2015) 9', for Harpsichord and Live electronics

  • Nix (2014) 5', for piano and live electronics

  • Submerged in Silence (2013) 9’, for piano, live electronics and video

  • Melt (2012) 10', for Guzheng and Electronics

  • Interpenetration (2009) 10', for solo piano

Installation

  • Touch - Duo (2018) 6’, two water installations

  • ECHO-Sand (2015) Sound Installation work with Piano and Live electronics

  • ECHO-Light (2015) Sound Installation work with Objects, Violin, Soprano and Live electronics

  • Des Script (2014), immersive music score installation

  • Kaleidoscope (2011), interactive sound/optics installation

Electronics

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